Katarzyna Dąbek
A graduate of the Karol Szymanowski Academy of Music in Katowice, where she studied piano under Zbigniew Raubo and Łukasz Trepczyński, as well as chamber music with Joanna Galon-Frant, Maciej Słapiński, and Marek Moś.
She also studied at the Conservatorio Superior de Música "Manuel Castillo" in Seville as part of the Erasmus program, in the piano class of Marta Policińska. The need to create and express herself artistically manifests in her life in many forms—piano performance being one of them, and dance another. In both disciplines, she prioritizes naturalness and sincerity of expression. The diverse types of music she engages with help her maintain a fresh and open artistic perspective.
She also studied at the Conservatorio Superior de Música "Manuel Castillo" in Seville as part of the Erasmus program, in the piano class of Marta Policińska. The need to create and express herself artistically manifests in her life in many forms—piano performance being one of them, and dance another. In both disciplines, she prioritizes naturalness and sincerity of expression. The diverse types of music she engages with help her maintain a fresh and open artistic perspective.
Katarzyna Dąbek performs on both modern and historical pianos, appearing on stages such as:
- Dwór Czeczów (Podgórze Cultural Center) in Kraków,
- Fortepianarium in Zabrze,
- Fortepiano Atelier in Kraków,
- Concert Hall in Jastrzębie-Zdrój,
- Music Academies in Gdańsk, Łódź, Kraków, and Katowice.
- Early Music Workshops with artists from Collegium Vocale Gent led by Philippe Herreweghe at the Polish National Radio Symphony Orchestra in Katowice (2024),
- International Piano Course in Katowice (2022, 2023, 2024, 2025),
- Start Art Hub in Katowice (2024),
- Brahms Festival in Katowice (2023),
- Tropiciele w Muzykowicach – a project carried out in several cities across Silesia (2022).
Katarzyna Dąbek is an ambitious, dedicated, and sensitive artist who values authenticity and the joy of music-making above all. She takes part in inspiring and engaging projects that allow her to grow not only as a pianist but also in interpersonal skills.
In the Pianophonic duo, she brings energy, creativity, and a bit of madness—along with her organizational talents, taking care of the logistical and marketing side of the ensemble’s operations
In the Pianophonic duo, she brings energy, creativity, and a bit of madness—along with her organizational talents, taking care of the logistical and marketing side of the ensemble’s operations